This text is an investigation and celebration of the Jonson canon from the point of view of the theatre practitioner as well as the teacher. Reflecting the increasing interest in the wider field of Renaissance drama, the book bridges the theory/practice divide by debating how Jonson's drama operates in performance and including discussions with and between practitioners. It includes: essays on Jonson on stage; Jonson in the classroom; Jonson and women; and edited transcripts of interviews with contemporary practitioners. Contributors include: Sam Mendes, Geoffrey Rush (Oscar winning actor), Colin Ellwood, Genista Macintosh and John Nettles. The aim of the title is to suggest new perspectives and new possibilities of engaging rewardingly with the drama of Ben Jonson.

LADY WINDERMERE’S FAN/SALOMÉ/A WOMAN OF NO IMPORTANCE/AN IDEAL HUSBAND/A FLORENTINE TRAGEDY/THE IMPORTANCE OF BEING EARNEST

‘To lose one parent may be regarded as a misfortune; to lose both looks like carelessness’

The Importance of Being Earnest is a glorious comedy of mistaken identity, which ridicules codes of propriety and etiquette. Manners and morality are also victims of Wilde’s sharp wit in Lady Windermere’s Fan, A Woman of No Importance and An Ideal Husband, in which snobbery and hypocrisy are laid bare. In Salomé and A Florentine Tragedy, Wilde makes powerful use of historical settings to explore the complex relationship between sex and power. The range of these plays displays Wilde’s delight in artifice, masks and disguises, and reveal the pretensions of the social world in which he himself played such a dazzlingly and precarious part.

Richard Allen Cave’s introduction and notes discuss the themes of the plays and Wilde’s innovative methods of staging. This edition includes the excised ‘Gribsby’ scene from The Importance of Being Earnest.

Ben Jonson and Theatre is an investigation and celebration of Jonson's plays from the point of view of the theatre practitioner as well as the teacher. Reflecting the increasing interest in the wider field of Renaissance drama, this book bridges the divide by debating how Jonson's drama operates in performance. Ben Jonson and Theatre includes:
* discussions with and between practitioners
* essays on the staging of the plays
* edited transcripts of interviews with contemporary practitioners
This radical re-evaluation of Jonson's theatre is original and innovative in both form and content. It explores the vibrant relationship between actors, directors and academics in their approachers to Jonson. In an effort to open the repertoire to the diversity of Jonson's work, attention is given to rehearsal methods, workshop practices, design, directing, marketing, marginalised theatre history, and all these are considered in the light of recent critical theory. The volume includes contributions from Joan Littlewood, Sam Mendes, John Nettles, Simon Russell Beale and Geoffrey Rush, Oscar-winning actor for Shine.

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